Michael Byrne
6 Films
Michael Byrne
6 Included Films
Byrne was born in London, England. He has sometimes been cast in Nazimilitary roles such as Colonel Vogel in Indiana Jones and the Last Crusade, Major Schroeder in Force 10 from Navarone, Reinhard Beck in The Scarlet and the Black, General Olbricht in The Plot to Kill Hitler and Obergruppenführer Odilo Globocnik in the BBC radio dramatisation of the novel Fatherland by Robert Harris. Also seen as the aged but fanatical SS General Neurath in "Outpost 2 - Black Sun", former concentration camp commandant and involved in the Nazis's sinister reality-shifting experiments. Byrne appeared as a Jewish concentration camp survivor who is instrumental in the capture of a Nazi war criminal (played by Ian McKellen) in the film Apt Pupil. He is also familiar to audiences as Smythe, a soldier who attempts to rape William Wallace's wife and first inspires Wallace to seek independence from England in the film Braveheart. His other film credits include The Eagle Has Landed, A Bridge Too Far, The Medusa Touch, The Saint, Tomorrow Never Dies, The Good Father, The Sum of All Fears, Gangs of New York and Harry Potter and the Deathly Hallows Part 1. On television, he has appeared in Z-Cars, Secret Army, Tales of the Unexpected, The Professionals, The Devil's Crown,Smiley's People, Yes, Prime Minister, Lord Mountbatten - the Last Viceroy, Between The Lines, Sharpe, The Mists of Avalon, Waking the Dead, The Body Farm, Honest, Hamish Macbeth, and Casualty. From April 2008 to January 2010, Michael starred in Coronation Street, as Ted Page, Gail Platt's long lost father and the ex-lover of Audrey Roberts. It is not known whether he will return to the show. Byrne appeared in State of Play at the Edinburgh Festival written by Zia Trench. He played Romeo to Siân Phillips' Juliet at the Bristol Old Vic. Father of actress Allie Byrne.
Australia Imprint 4K Blu-ray > US Kino Lorber 4K Blu-ray
See caps for Kino: caps. Here’s a particularly egregious example.
Kino Lorber has a exclusive commentary
Australia Imprint 4K Blu-ray > US Kino Lorber 4K Blu-ray
See caps for Kino: caps. Here’s a particularly egregious example.
Kino Lorber has a exclusive commentary
Paramount 4K Blu-ray heavily revisionist. Purist option: 35mm scan, Blu-ray, DVD or LaserDisc
The Paramount 4K master is HEAVILY revisionist in that all of the effects and opticals were redone and tweaked with errors and issues. There has been grain management (moments of stagnating grain and haloing) and the encoding isn't great hence the typical Paramount noise in the image. (especially skies) The HDR is a bit bright in the highlights. The Blu-ray is showing its age but does not have any of these digital alterations. It is from the scan done by Laser Pacific and is the highest quality unaltered master we have. The DVD was done by Lowry Digital and had much scrubbing and processing of grain in addition to edge enhancement. The letterbox LaserDisc was the first widescreen release and is very good for its time. There was also a rare SVHS release using the letterbox LaserDisc master.
The 4K Blu-ray audio is seemingly an Atmos remix of the 5.1 found on the Blu-ray which itself is very similar to the DVD 5.1. All are presumably based on the 70mm Dolby six track mix. The Atmos is more processed and moves the sound around more so it is inferior to the older 5.1 iterations. On release, Last Crusade had Dolby 70mm with stereo surrounds, Dolby Stereo SR for 35mm and was mixed in a THX sound theater to ensure the ultimate in technical quality in 1989. The DVD was supposedly made from the 70mm mix and the Blu-ray 5.1 seems to bring that into lossless. This is unconfirmed but each seems to be a healthy and accurate version of the original audio. However, the LaserDisc despite only having matrix PCM stereo is punchier and livelier as a listening experience. Despite not being discrete it arguably sounds better than the 5.1 versions. Some who remember seeing each of the original release versions claim to remember the 35mm Dolby DR as sounding better than the 70mm Dolby. This is a case where both sound great and it's up to fans to decide which they prefer. Both are essential for any Indy collection and the LaserDisc is very cheap. The VHS hifi seems to be the same 2.0 matrix with format differences so it can also be compared against the DVD and Blu-ray 5.1 versions.
DFIC extensive review: https://youtu.be/evsrJOTIjdA?si=wtdWGxZBfhPYTIeW
Paramount 4K Blu-ray heavily revisionist. Purist option: 35mm scan, Blu-ray, DVD or LaserDisc
The Paramount 4K master is HEAVILY revisionist in that all of the effects and opticals were redone and tweaked with errors and issues. There has been grain management (moments of stagnating grain and haloing) and the encoding isn't great hence the typical Paramount noise in the image. (especially skies) The HDR is a bit bright in the highlights. The Blu-ray is showing its age but does not have any of these digital alterations. It is from the scan done by Laser Pacific and is the highest quality unaltered master we have. The DVD was done by Lowry Digital and had much scrubbing and processing of grain in addition to edge enhancement. The letterbox LaserDisc was the first widescreen release and is very good for its time. There was also a rare SVHS release using the letterbox LaserDisc master.
The 4K Blu-ray audio is seemingly an Atmos remix of the 5.1 found on the Blu-ray which itself is very similar to the DVD 5.1. All are presumably based on the 70mm Dolby six track mix. The Atmos is more processed and moves the sound around more so it is inferior to the older 5.1 iterations. On release, Last Crusade had Dolby 70mm with stereo surrounds, Dolby Stereo SR for 35mm and was mixed in a THX sound theater to ensure the ultimate in technical quality in 1989. The DVD was supposedly made from the 70mm mix and the Blu-ray 5.1 seems to bring that into lossless. This is unconfirmed but each seems to be a healthy and accurate version of the original audio. However, the LaserDisc despite only having matrix PCM stereo is punchier and livelier as a listening experience. Despite not being discrete it arguably sounds better than the 5.1 versions. Some who remember seeing each of the original release versions claim to remember the 35mm Dolby DR as sounding better than the 70mm Dolby. This is a case where both sound great and it's up to fans to decide which they prefer. Both are essential for any Indy collection and the LaserDisc is very cheap. The VHS hifi seems to be the same 2.0 matrix with format differences so it can also be compared against the DVD and Blu-ray 5.1 versions.
DFIC extensive review: https://youtu.be/evsrJOTIjdA?si=wtdWGxZBfhPYTIeW
Director: Mel Gibson
US Paramount 4K Blu-ray has Dolby Vision, while other countries Fox 4K Blu-ray only has HDR
Director: Mel Gibson
US Paramount 4K Blu-ray has Dolby Vision, while other countries Fox 4K Blu-ray only has HDR
Director: Martin Scorsese
Italian Fox Blu-Ray
Italian Fox Blu-Ray > 2010 Miramax Blu-Ray
Italian Fox Blu-Ray, German Splendid Film Blu-Ray has better sounding commentary
Italian Fox Blu-Ray
Italian Fox Blu-Ray > 2010 Miramax Blu-Ray
Italian Fox Blu-Ray, German Splendid Film Blu-Ray has better sounding commentary
6 films